Kari and Maureen

Canadian actress. Matchett is a native of Spalding the province of Saskatchewan. Her career began as an actress when she moved to Ontario. The early nineties were when she began her professional career on Canadian TV. Her next move was into America and made an appearance on The Secrets of Nero Wolfe Invasion Studio 60 on Sunset Strip Ambulance Earth. It was the Last Conflict . In 2001 she won the Gemini Award for her role in the Canadian television series The Department of Wet Cases. Over the course of several seasons, she portrayed the ex-wife of a character from the television series Impact. She's been playing Joan Campbell since 2010 in the TV show Covert Operations. She starred on the big screen in 2002's Canadian movie Cube 2. Hypercube, and was also on screen in Angel Eyes, Boys with Broomsticks and The Tree of Life . Divorced. Her first child born in June 2013, a son called Jude Lyon Matchett was born in June 2013. Maureen O'hara..........................From her first appearances on the stage and screen Maureen O'Hara (b. 1920) was a star with her stunning beauty, radiant red hair and impassioned scenes of heros with a fiery personality. She was an imposing actress and confident woman. She was a standout in her roles, whether being rescued from the clutches of Charles Laughton in The Hunchback Of Notre Dame (1939), finding love in the blackened sky of Walter Pidgeon in How Green Was My Valley (41) or learning about miraculous happenings from Natalie Wood in Miracle on 34th Street (47), as well as going head-to head to John Wayne in The Quiet Man (52), she delighted the audience with her presence. Maureen O'Hara, the book-length biographical account of the legendary screen star dubbed the Queen of Technicolor, has been released. The book follows the actress from her childhood in Dublin to the height of fame during the height of her fame Hollywood film critic Aubrey Malone draws on new details from the Irish Film Institute production notes in films as well as details from films from the past, including newspapers and fan magazines. Malone analyzes the actress's relationship with frequent collaborator John Wayne and her relationship with director John Ford and he addresses the hotly debated question of whether the screen siren is a woman or an antifeminist character. The actress, who was an icon from cinema's golden era, is a mystery because of her tendency to remain in private, and also her statements which contradict her own choices. This groundbreaking biography provides readers a glimpse at the man behind the bigger than life-sized image. It debunks the misconceptions and provides a more balanced view of one of the greatest Hollywood iconography.